Thursday, August 31, 2023

Learning from Bobbi Althoff and Oliver Anthony

The new nature of stardom

Welcome back to Soundbite. This week we're talking about the two buzziest stars in music and podcasting. Reach me through email, and as always, if you haven't yet subscribed to this newsletter, please do so here.

But first, some links.

What I'm reading

The 'Barbie' Soundtrack Could Be as Popular as the Film Itself

The Nonstop Podcast Listeners are on to Something

Fallon, Colbert Join Late-Night Pals in Hollywood Strike Podcast

To become a star, harness the fans

The internet minted two new audio stars in the past couple months. Their stories at first seem very different, but each represents the new reality of stardom.

First came Bobbi Althoff, who cut her teeth posting motherhood-related TikTok videos and then turned to podcasting.

Somehow, she secured an interview with Drake. Clips from that podcast episode went viral in July, and in the month or so since, her name has routinely made headlines. She signed with the talent agency WME, scheduled a couple live shows in Los Angeles and has continued to book high-profile guests including Tyga, Mark Cuban and Lil Yachty.

The other seemingly overnight sensation is Oliver Anthony. The musician has been posting his music for a few years, mostly strumming into obscurity.

RadioWV, a YouTube channel that highlights music by West Virginian artists, posted Anthony's song Rich Men North of Richmond online on Aug. 8. Anthony released the track officially three days later. It debuted on top of the Billboard Hot 100.

Multiple publications wrote about unusual online listening patterns around the song, suggesting paid downloads contributed to its charting. (These individually downloaded songs are a relic of the iPod era and have become a popular way K-pop fans ensure their favorite stars chart, too.)

In this case, some writers posit that a bigger, conservative political machine is at work and wants Anthony's song, which bemoans welfare and taxes, to get attention from the masses.

Both artists had been toiling away online for years only to strike sudden viral gold. This is often the nature of influence and success on the internet today.

Many podcast executives lament how hard it is to discover new shows. People often find them through word of mouth. It turns out there are a lot of Drake fans eager to share all his interviews.

I first came across clips from Althoff's interview on Instagram, where Drake reposted them to his 140 million followers. Drake's direct impact here was immense.

Althoff has said the chance interview happened because the rapper followed her online after which point she messaged him to request a chat. He … said yes? It's unbelievable, but it's what we've got.

Strangely, the Drake interview has since been deleted, which I don't have time to parse, but the internet offers plenty of speculation.

YouTube and TikTok, which have both expressed interest in podcasting, would probably like you to think you could become the next Althoff. But not everyone will land an interview with one of the world's biggest celebrities and get him to post it on their channels. Still, YouTube and TikTok are algorithmic experts and could offer some much-needed assistance in podcast discovery.

As for Anthony and the music industry, label executives have complained less about song discovery and more about the struggle to develop lasting fan bases around their artists. A song can trend on TikTok and reach millions of people, but those listeners might never bother to check out another track by that artist.

Labels want more control over the system, a way to ensure their musicians receive sufficient attention to develop a coherent story and relationship with listeners.

Anthony has at least one song that resonated with a large audience. Conservatives loved the message, and people employed well-worn fan tactics to ensure its success.

However, Anthony has risked ostracizing that fanbase. He said in a video message that he found it  "aggravating" that conservative media and politicians "act like we're buddies and act like we're fighting the same struggle here." He has said he identifies with the political center.

Anthony and Althoff's stories are still being written. We don't know whether the next songs will chart or whether people will show up to the events in LA. But both their stories emphasize the haphazardness of celebrity today.

Odds and ends

Tenderfoot TV is suing Audacy for over $500K

Tenderfoot TV, the podcast network behind Atlanta Monster and Up and Vanished, sued the radio conglomerate and podcast maker Audacy last week, claiming missed payments for a distribution deal. According to the complaint, Tenderfoot and Cadence13, an Audacy studio, signed a sales agreement last October that guaranteed Tenderfoot $14 million over two years, beginning in 2023.

As part of this, C13 paid $1.5 million within the first 30 days of the contract and then was supposed to pay 24 monthly installments of about $521,000 for the next two years, according to the complaint. C13 paid through July 31 of this year, Tenderfoot alleges, but informed the company in August that it would suspend payment moving forward.

Tenderfoot now claims C13, or Audacy, breached the contract and is seeking more than half a million dollars. Both Tenderfoot and Audacy declined to comment.

More layoffs hit independent podcasting studios

Last week, Futuro Media, the maker of Latino USA, said it's reducing staff.

"After months of economic uncertainty that have affected the podcast and news industries, as well as funding for public media, we have made the decision to head into 2024 as a smaller team," a statement posted to X said.

Also in the past month, an employee at SALT, which makes Dave Chappelle's The Midnight Miracle, posted to say they're being laid off at the end of this month. (Another employee also posted to say their last day would be this week.)

"We are evolving a large portion of our overall market strategy and focus, and making resourcing adjustments as a part of that reorg," Nick Panama, the CEO, wrote in an email to me.

Have a tip?

Reach me through email, a DM on X or LinkedIn. My encrypted Proton Mail is ashleyrcarman@proton.me. You can request my Signal in all those places, too.

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